> seemed to me like Op.1 b-flat minor was the one that would be overplayed
I don't watch much movies, but haven't seen Op. 9 No. 1 often in many places. I hope it remains that way! No 2 is wildly popular for its lovely long opening melody.
> preludes (raindrop etc) for example and they have softer key and louder key parts and I want to blast the softer side without overblasting and distortion
Yes, the preludes are lovely. But please -- you don't need to "blast" this music. This is not rock :-) Yes, there are a lot of "dynamics" (soft and loud and some gradations: pianissimo, forte, etc), but don't overthink it.
Just use a reasonably high-end speaker (e.g. I use an old, Bose "SoundTouch 20") and pick one of the recent recordings from Deutsche Grammophon. I'm currently listening to the nocturne interpretations by Kun-Woo Paik.
>But please -- you don't need to "blast" this music. This is not rock :-)
:) I guess I should have been more specific. My scenario is listening to the music on the balcony when the speakers are inside. I turn it up to hear the soft notes in the beginning to my liking, only to have go back inside to turn it down when the louder sections begin as it gets too loud. The only thing that comes to mind is doing some sort of normalization.
>I often paused reading and put on the track on a given page
I wonder if this is done in the audiobook version of these types of books by default. It would seem like a missed opportunity not to.
I don't watch much movies, but haven't seen Op. 9 No. 1 often in many places. I hope it remains that way! No 2 is wildly popular for its lovely long opening melody.
> preludes (raindrop etc) for example and they have softer key and louder key parts and I want to blast the softer side without overblasting and distortion
Yes, the preludes are lovely. But please -- you don't need to "blast" this music. This is not rock :-) Yes, there are a lot of "dynamics" (soft and loud and some gradations: pianissimo, forte, etc), but don't overthink it.
Just use a reasonably high-end speaker (e.g. I use an old, Bose "SoundTouch 20") and pick one of the recent recordings from Deutsche Grammophon. I'm currently listening to the nocturne interpretations by Kun-Woo Paik.